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	<title>THE GRAPEVINE</title>
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	<description>Blog of the Association for Critical Race Art History</description>
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		<title>THE GRAPEVINE</title>
		<link>http://acrah.wordpress.com</link>
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		<title>Trends in Contemporary Nigerian Art Talk @ SOAS</title>
		<link>http://acrah.wordpress.com/2013/05/20/trends-in-contemporary-nigerian-art-talk-soas/</link>
		<comments>http://acrah.wordpress.com/2013/05/20/trends-in-contemporary-nigerian-art-talk-soas/#comments</comments>
		<pubDate>Mon, 20 May 2013 20:34:00 +0000</pubDate>
		<dc:creator>Camara Dia Holloway</dc:creator>
				<category><![CDATA[uncategorized]]></category>

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		<description><![CDATA[Reblogged from African Art in London: Two of Nigeria’s most distinguished contemporary artists will be at the School of Oriental and African Studies this Thursday. Ben Osaghae and Fidelis Odogwu, both alumni of Nigeria School of Art Polytechnic in Edo State will be discussing trends in contemporary Nigerian art. Ben Osaghae has been described as a ‘social [&#8230;]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=acrah.wordpress.com&#038;blog=20214619&#038;post=1261&#038;subd=acrah&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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		<title>Empowered by Birmingham&#039;s Struggles</title>
		<link>http://acrah.wordpress.com/2013/05/20/empowered-by-birminghams-struggles/</link>
		<comments>http://acrah.wordpress.com/2013/05/20/empowered-by-birminghams-struggles/#comments</comments>
		<pubDate>Mon, 20 May 2013 20:31:38 +0000</pubDate>
		<dc:creator>Camara Dia Holloway</dc:creator>
				<category><![CDATA[uncategorized]]></category>

		<guid isPermaLink="false">http://acrah.wordpress.com/2013/05/20/empowered-by-birminghams-struggles/</guid>
		<description><![CDATA[Reblogged from Culture Conversations: Weld for Birmingham has a series where local folks can submit essays about the importance of 1963 to them. As an outsider who feels the weight of 1963, I submitted an essay which was published last week. Here's an excerpt of my essay and a link to the full essay. Enjoy! [&#8230;]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=acrah.wordpress.com&#038;blog=20214619&#038;post=1259&#038;subd=acrah&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>0</slash:comments>
	
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		<title>Photojournalism: Restaveks, the “Ultimate Have-Nots in a Society of Have-Nots”</title>
		<link>http://acrah.wordpress.com/2013/05/20/photojournalism-restaveks-the-ultimate-have-nots-in-a-society-of-have-nots/</link>
		<comments>http://acrah.wordpress.com/2013/05/20/photojournalism-restaveks-the-ultimate-have-nots-in-a-society-of-have-nots/#comments</comments>
		<pubDate>Mon, 20 May 2013 20:31:07 +0000</pubDate>
		<dc:creator>Camara Dia Holloway</dc:creator>
				<category><![CDATA[uncategorized]]></category>

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		<description><![CDATA[Reblogged from Repeating Islands: Deborah Sontag (The New York Times) reports on the work of Vlad Sokhin, a photographer who has been focusing on Haiti’s restaveks for a series called “Restavek: Child Slavery in Haiti.” Sontag explains: “Haiti is estimated to have 250,000 restaveks—children working as unpaid domestic servants after their parents, who cannot afford [&#8230;]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=acrah.wordpress.com&#038;blog=20214619&#038;post=1257&#038;subd=acrah&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>0</slash:comments>
	
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		<title>Call for Papers: New Voices - Art and Decolonization</title>
		<link>http://acrah.wordpress.com/2013/05/20/call-for-papers-new-voices-art-and-decolonization/</link>
		<comments>http://acrah.wordpress.com/2013/05/20/call-for-papers-new-voices-art-and-decolonization/#comments</comments>
		<pubDate>Mon, 20 May 2013 20:30:42 +0000</pubDate>
		<dc:creator>Camara Dia Holloway</dc:creator>
				<category><![CDATA[uncategorized]]></category>

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		<description><![CDATA[Reblogged from British Art Research: A conference at the Henry Moore Institute, 16 November 2013 Art and its histories have 'complex entanglements' with empire and imperialism, to borrow a phrase from theorist Nikos Papastergiadis. In collaboration with the Henry Moore Institute, New Voices investigates the intersections of art and decolonisation to ask what the specific implications of [&#8230;]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=acrah.wordpress.com&#038;blog=20214619&#038;post=1255&#038;subd=acrah&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>0</slash:comments>
	
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		<title>Exhibition Review: Los Carpinteros&#039; Playful Impertinence</title>
		<link>http://acrah.wordpress.com/2013/05/18/exhibition-review-los-carpinteros-playful-impertinence/</link>
		<comments>http://acrah.wordpress.com/2013/05/18/exhibition-review-los-carpinteros-playful-impertinence/#comments</comments>
		<pubDate>Sat, 18 May 2013 21:35:01 +0000</pubDate>
		<dc:creator>Camara Dia Holloway</dc:creator>
				<category><![CDATA[uncategorized]]></category>

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		<description><![CDATA[Reblogged from Repeating Islands: On Saturday, the Cuban art duo Los Carpinteros (“The Carpenters”) opened an exhibition of new work titled Irreversible. It should be called Irreverent, as Wendy Moonan writes for Architectural Recod. The show, which occupies the entire Sean Kelly Gallery in Manhattan through June 22, includes an 11-foot-wide architectural watercolor, a room-size [&#8230;]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=acrah.wordpress.com&#038;blog=20214619&#038;post=1253&#038;subd=acrah&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>0</slash:comments>
	
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			<media:title type="html">camaradia</media:title>
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		<title>Bermuda’s ACE showcases heritage with Anna Lefroy’s botanical paintings</title>
		<link>http://acrah.wordpress.com/2013/05/18/bermudas-ace-showcases-heritage-with-anna-lefroys-botanical-paintings/</link>
		<comments>http://acrah.wordpress.com/2013/05/18/bermudas-ace-showcases-heritage-with-anna-lefroys-botanical-paintings/#comments</comments>
		<pubDate>Sat, 18 May 2013 21:34:39 +0000</pubDate>
		<dc:creator>Camara Dia Holloway</dc:creator>
				<category><![CDATA[uncategorized]]></category>

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		<description><![CDATA[Reblogged from Repeating Islands: Residents will get a rare chance to look at some of Charlotte Anna Lefroy’s work. The ACE Gallery is displaying Celebrating Bermuda’s Colours: Bermuda Botanicals 1871 – 1877. It is the first time they have been showcased since they were created in the 1870s. In celebration of the 2013 Heritage Month [&#8230;]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=acrah.wordpress.com&#038;blog=20214619&#038;post=1251&#038;subd=acrah&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>0</slash:comments>
	
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			<media:title type="html">camaradia</media:title>
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		<title>Pictures of amazing hairdos at 9th afro-hair contest in Cali, Colombia</title>
		<link>http://acrah.wordpress.com/2013/05/18/pictures-of-amazing-hairdos-at-9th-afro-hair-contest-in-cali-colombia/</link>
		<comments>http://acrah.wordpress.com/2013/05/18/pictures-of-amazing-hairdos-at-9th-afro-hair-contest-in-cali-colombia/#comments</comments>
		<pubDate>Sat, 18 May 2013 21:32:56 +0000</pubDate>
		<dc:creator>Camara Dia Holloway</dc:creator>
				<category><![CDATA[uncategorized]]></category>

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		<description><![CDATA[Reblogged from Repeating Islands: The IX Hairdressers and Afro-hairdos contest, "Knitting Hopes" took place last weekend, (May 11-12, 2013) in Cali, Colombia, sponsored by the Programa Nacional de Concertación del Ministerio de Cultura. In its ninth iteration, scheduled during African Heritage Month, the contests seeks to celebrate African-style hairdos as a distinctive elements of black neighborhoods [&#8230;]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=acrah.wordpress.com&#038;blog=20214619&#038;post=1249&#038;subd=acrah&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>0</slash:comments>
	
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			<media:title type="html">camaradia</media:title>
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		<title>Through Posters, a Dialogue about Cuba&#039;s Future</title>
		<link>http://acrah.wordpress.com/2013/05/18/through-posters-a-dialogue-about-cubas-future/</link>
		<comments>http://acrah.wordpress.com/2013/05/18/through-posters-a-dialogue-about-cubas-future/#comments</comments>
		<pubDate>Sat, 18 May 2013 21:31:55 +0000</pubDate>
		<dc:creator>Camara Dia Holloway</dc:creator>
				<category><![CDATA[uncategorized]]></category>

		<guid isPermaLink="false">http://acrah.wordpress.com/2013/05/18/through-posters-a-dialogue-about-cubas-future/</guid>
		<description><![CDATA[Reblogged from Repeating Islands: Christine Armario (Associated Press) writes about a poster exhibition held in Miami earlier this month (May 4) by State of SATS, an activist group attempting to foster civil society and stimulate discussion about Cuba's future. The group's leader, Antonio Rodiles, is in Miami to promote a campaign demanding that Cuba implement the [&#8230;]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=acrah.wordpress.com&#038;blog=20214619&#038;post=1247&#038;subd=acrah&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>0</slash:comments>
	
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		<title>Cuban Performance Art: Carlos Martiel Delgado Sainz</title>
		<link>http://acrah.wordpress.com/2013/05/18/cuban-performance-art-carlos-martiel-delgado-sainz/</link>
		<comments>http://acrah.wordpress.com/2013/05/18/cuban-performance-art-carlos-martiel-delgado-sainz/#comments</comments>
		<pubDate>Sat, 18 May 2013 21:30:29 +0000</pubDate>
		<dc:creator>Camara Dia Holloway</dc:creator>
				<category><![CDATA[uncategorized]]></category>

		<guid isPermaLink="false">http://acrah.wordpress.com/2013/05/18/cuban-performance-art-carlos-martiel-delgado-sainz/</guid>
		<description><![CDATA[Reblogged from Repeating Islands: I recently discovered a very interesting blog by Píter Ortega—Blog de Píter Ortega, a space dedicated to criticism of Cuban and international art—and I thoroughly enjoyed his review of performance artist Carlos Martiel. Ortega’s review—“El peso de una isla en el amor de un pueblo” —delves into Cuban performance art and [&#8230;]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=acrah.wordpress.com&#038;blog=20214619&#038;post=1245&#038;subd=acrah&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
		<wfw:commentRss>http://acrah.wordpress.com/2013/05/18/cuban-performance-art-carlos-martiel-delgado-sainz/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
	
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		<title>Puerto Rico’s Art Deco Past: Preserving to Remember</title>
		<link>http://acrah.wordpress.com/2013/05/18/puerto-ricos-art-deco-past-preserving-to-remember/</link>
		<comments>http://acrah.wordpress.com/2013/05/18/puerto-ricos-art-deco-past-preserving-to-remember/#comments</comments>
		<pubDate>Sat, 18 May 2013 21:30:18 +0000</pubDate>
		<dc:creator>Camara Dia Holloway</dc:creator>
				<category><![CDATA[uncategorized]]></category>

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		<description><![CDATA[Reblogged from Repeating Islands: “Preservar para no olvidar” (El Nuevo Día) focuses on the work of David Soto Padín, a civil engineering student at the University of Puerto Rico-Mayagüez, who has documented over 200 examples of Art Deco structures in Puerto Rico and founded the Puerto Rican Society of Historical Architecture in order to preserve [&#8230;]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=acrah.wordpress.com&#038;blog=20214619&#038;post=1243&#038;subd=acrah&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>0</slash:comments>
	
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